Altered States And Demoman
How are we supposed to regard Max’s altered state? An ambiguity, rare in Hollywood movies, hangs over Weir’s film, which screenwriter Rafael Yglesias adapted from his own novel. Has Max become a kind of angel–enlightened, spiritually purified–or has he become monstrous in his arrogance, his delusion of immortality? Clinically, he’s suffering from posttraumatic-stress syndrome, but in illness he discovers ecstasy, and is loath to give it up. The intense, portentous, quasi-mystical atmosphere of “Fearless” is reminiscent of Weir’s early work in his native Australia, “Picnic at Hanging Rock” and “The Last Wave....