A Modern Master S Modest Art
As the poet-critic Gustave Kahn put it, Seurat was “a young man crazy about drawing.” He worked in conté crayon (a kind of greasy charcoal) on toothy Michallet paper, without the safety net of lines. Seurat just filled in tone, progressing from light, speckled grays to velvety blacks, until the drawing “developed” like a photographic print in the darkroom. Nominally, “Railway Tracks” is a precise view of a railroad embankment punctuated by electrical power poles and a tall stand of trees....